Unlike the Duo Sonic, the neck pickup is a humbucker and the single coil is the bridge pickup. It features 2 pickups, a single coil and a humbucker, and is the same as the 2020 Duo-Sonic other than the pickup configuration. In 2020, Fender released a special version of the Musicmaster for the Shawn Mendes Music Foundation. The Musicmaster was produced until 1982 when it, the Bronco and the Mustang were dropped in favor of the newer Fender Bullet models. This causes many modern surviving Musicmasters from this period to suffer from paint flaking off the body. Certain models of the Musicmaster, especially from between 19, were finished with a coat that reacted negatively with the base coat. These larger pickguards encompassed the entire control cavity which saved production costs for Fender. Later in the 70s the Musicmaster in its third incarnation was redesigned using the Bronco body and pickguard shapes. Around this same time the Fender Maverick was introduced using similar practices but with leftover Electric XII bodies and necks with Mustang bridges. and has a narrow A nut width of 1 1/2 inches and a scale length of 24 inches. In 1969, the Fender Swinger, a particularly interesting byproduct of this surplus was produced using the Musicmaster hardware, electrics, scratchplate, and the seldom ordered 22.5-inch necks, but with a modified Fender Bass V body. This 12-inch wide, one and a half inch thick guitar weighs just 6.70 lbs. The Musicmaster in its second incarnation was still sold well into the 1970s however, using leftover parts until supplies ran out. The redesigned Musicmaster II alongside its stablemate the Duo-Sonic II lasted through 1969 before both models were dropped from production in favor of the more deluxe Mustang and new Fender Bronco. All three models were offered with the option of a 24-inch scale and 22-fret neck or a 22.5-inch scale and 21-fret neck the 24-inch scale proved to be the most popular of these options. The Mustang body was larger and slightly offset, and was fitted with a plastic pickguard but with the volume and tone controls mounted on a separate metal plate. But it is structurally very solid and plays and sounds perfectly. This Musicmaster is in good condition, it has lots of finish wear, espacially at the back. With a single pickup and no vibrato system. The Fender Musicmaster was the first of their 3/4 scale guitars. In 1964, following the release of the Fender Mustang, both the Musicmaster and Duo-Sonic were redesigned using Mustang neck and body blanks. Dakota red Fender Musicmaster II from 1965. At this time, the Musicmaster and Duo-Sonic both received a plastic pickguard in place of the previous anodized aluminum one, and a two-piece maple neck with a rosewood fingerboard. There was one major redesign of these two Musicmaster-bodied guitars, in 1959 when the entire Fender catalog was updated. The Duo-Sonic and Musicmaster also shared a single-piece maple neck and fingerboard, with a 22.5 inch scale length and 21 frets. Production of the Musicmaster began in late April of that year, using a body routed for two pickups to be common to the Duo-Sonic, which followed a little more than two months later. 1966 Fender Musicmaster II Demo littleredguitars2 32.4K subscribers Subscribe 154 7.4K views 2 years ago My Original Music can be heard and purchased at the links below Stream/ Buy CDs. Prototypes were made in early 1956, followed by sales literature announcing both models. Musicians such as David Byrne and Liz Phair used a Fender Musicmaster.ĭesign work on the Musicmaster-and its two-pickup variant Duo-Sonic-began in late 1955 following a request from Fender Sales. It was the first 3/4 scale student-model guitar Fender produced.Ī Musicmaster Bass model was also put on the market. Frets show some wear, but have plenty of life in them. The Fender Musicmaster is a solid body electric guitar produced by Fender. Neck: Maple neck with beautoful Brazilian rosewood fingerboard & mother of pearl dot inlays. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.1 proprietary single coil, offset variantĭesert Sand, Shaded Sunburst, Red-Mahogany, Olympic White, Daphne Blue, Dakota Red Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price).
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